Tuesday, 27 June 2017

Working on and refining audition speeches

 2 October.  So far I sadly haven't met my current learning target, despite reading through  the Piece and practicing it. One good bit of feedback was to not swallow words, and to make the character's anger more real. It doesn't have to be louder, only deeper and more real.   9 October. When I went in jo the class on Thursday, I thought that I had not learnt anything, as it was not staying in my brain. However, Cara gave me one word prompts and I had learnt so much. Sadly, there was no expression but this is  okay as I had not fully learnt it, by any means. Since then, I've been reading and practicing the script and I hope by next lesson I will have improved.   7 November. Today I did my monologue about 4 times. I am finally managing to remember all the words, but there are a few areas where I need prompting, mainly in the first bit. We were looking at ways to move the piece forward. From now on, I will use a chair as a prop, to express the character's emotions. For example, I could sit on it, stand behind it, stand beside it. It can be a guide to show the variety of emotions Charlie is showing. I will practica with my chair in my room, so that I can adapt to this kind of technique.
14 November.  This week, I kept practising my piece with no script.  I used a chair, and practised different positions of my body.  I sometimes start sitting and then stand, or sometimes I will go from standing behind the chair, to sitting, to standing in front of the chair.  I feel I can express my character very well, and put emotion into the piece.  I can understand my character and what she is going through, and I can portray her well.  I can also outline her background story.  This is good because the more familiar I am, the more natural I will be able to act.  I think now, the main target is to focus on remembering those phrases which I mix up a bit.
22 November.  This week was very much the same as last week.  We were going to do a fake audition interview, as if I was applying to RADA.  However, I was not well on Monday so I missed this.
30 November.  This week, I did actually carry out my audition interview.  I felt very confident as I am good at speaking to people.  One thing that was not right was the fact that I leant forward which I shouldn't do.  I had to redo the interview as it was accidentally deleted from the flip, and I was able to take these comments on board.  I also did my piece again, and I feel that I am almost at performance standard.
15 January: This week we spent most of the time going over our speeches.  With mine, we investigated the movements with a chair, and how I could walk in.  In this monologue, my character is frustrated and angry, so the way I move is important.  I tried moving from the door, and pretending to open and close a door but I found the gesture hard.  We also did an interview for Rada, which was useful as it helped us understand how an audition would work.  I did my piece, and this was followed up with feedback, such as try to perfect movements.
22 January: This week, we did character hotseats, where we could ask questions to each other about our characters.  I had to explain Charlie's childhood, and I also had to talk about her frustrations with her parents.  This put the role into perspective for me.  It made me understand what it felt like to be inside my character.
29 January: This week we kept practising our monologues, and we also did an improv based on our characters.  We were in a library and at the horse races, and my character, being very modern and quite young for her age, was very eager and asked a lot of characters, as she wants to see the world as the playwrite indicates.  as the only modern day character, this was very interesting.
14 February: On 30 January, we were about to go to a theatre in Brecon, where we had a tour of the workspaces, the theatre, and were told a lot about the way it works there.  In the afternoon, we were able to do our monologues.  I was not nervous, but I deffinately wanted to do my best.  I think it went well, and despite the fact that I was in a new space, I navigated very well and as able to manage movement without letting it hinder the power of my words.  It was very helpful hearing from Martin, the CEO of the theatre, and seeing his reaction to our pieces.  He said mine was emotional and was very well done.  I feel that since my first year of the course, my insight into a character, and understanding of the components of a piece have really improved.


 https://youtu.be/62hkxs34bUI

This was the monologue that I performed  at the theatre.

Storytelling techniques - final evaluation



6 June. At the end of May we went to Forbury care home to perform our stories. I felt very prepared as I had a braille script, and the sound effects were ready to go. First Callum read his poem, and he read it very well, using a very narrative tone and his rhyming poem was easy to follow. Mikey's story then followed, his was very long and I had to say quite a few lines in his, but it was a very Blytonesque story, and I think the residentS enjoyed it. Finally, I read my story. As we were performino outside, we had to make sure our voices were clear and carried well. I felt my projection was very clear, and I used a lot of internation in my voice, as I  had a high voice for Grace and a slightly lower tone for Ted. The sound effects went very well. Usually, with braille readers, the braille script is hard to sight read, but I found that I could fluidly tell my story, with too much faltering. After the stories, although the residents did not properly remember our stories, they seemed happy and pleased. Marsha, who ran part of the story telling project then asked us to tell our own stories, which, although was not part of the work, still helped us to practice clear and well spoken naration.

19 June. Below is my story and final evaluation.
I feel I have gained an understanding of the benefits of a storytelling project on the ararget audience.  A lot of people with dementia do not have many memories of their own, as they struggle to remember what happened.  A story can provide the sences and imagery to mark a small amment of lucidity for a person.  It can also recreate a memory for them, even just for a few seconds, that can make them feel more human.  For some, even a smell description, or a farmyard scene, can bring baack nostalgia.  Storytelling can also have a calming effect on people, as it can create gentle memories and imagery in someone's mind to distract them from the confusing hum-drum of life especially when people are dealing with memory loss.

I think I applied  a range of storytelling techniques.  I spoke clearly and with internation, and used slightly different tones for different characters.  I also used a dream sequence that was dark and ominous, and I used a more serious tone for this.  I differentiated my voice between the reality and the dream to show that there was a difference.  I also used sound effects to influence my story, and to create emotion and memory.  I used school sounds, farm sounds, and creepy dream music for the nightmare.  I also used a waltz track in the end to tie up the story.  I read the story slowly enough that it could be heard, but with no pauses that could loose the astention of the spectators.  I used a simple writing structure with only two characters to make the story easier to follow, and so the spectators could focus on the words, and hopefully some knowind of memory they could inspire.  As I introduced the group, I hoped that the audience  were very familiar with my voice and my gentle tone which may have made it easier for them to follow my story.  I used soft tones, but at a clear and audible level, so that the spectators had a chance to follow the story if they could.


I feel that I have a strong understanding of the effects my storytelling skills could have on the audience, and the ways it was adapted to fit the audience.  I altered the story by simplifying the characters so that there was only two,, which would mean the audience would be able to follow the story more easily.  I chose language that was formal, but descriptive, so that it was not too much of a modernised story, I also kept the piece natural and not too elaborate so that the audience could identify with it.  If I was writing a piece for young adults about loneliness and being apart from your siblings, I'd talk about emails, texts, maybe certain social media, and might use more modernised vocabulary.  However, instead of receiving emails or facebook messages from each other, Grace received letters from Ted, and phone calls, which the audience would have a greater understanding of.  I also gathered only stimulai that I received from the group.  I hoped that the bird lover would like the sound effects, and the reference to farm animals and birds.  I hoped the farmer's wife would like the jam reference as that is what she told me about.  I hoped the teacher would relate to the classroom sounds, and the people who were born in Brazil and Germany would like the references to their professions and traditions, for example the German Gingerbread, and the Brazilian language programmes.  Some people also described their love for ballroom dancing, which was very periodic at their younger age, so I hoped the waltz would remind them of past memories of dancing.  I also made sure the storyline was interesting but not too complex, and the fact that there were only two characters meant that the audience, who all suffered with memory loss, would be able to keep track of what was happening without loosing their train of thought and unfocussing.

Grace wakes up early on a hazy friday morning and gets ready for the day.  She heads outside to collect the eggs from her chickens, she has 10 hens, and they'd laid a total of 8 eggs that day.  After putting them in the basket, Grace heads over to the cow stall and milks them by hand, she hates the new technology available to farmers' wives like her.  She sweeps the yard, feeds all the chickens, sheep, cows and horses, and tends to the crops.

She gets changed out of her farm gear and into her every day clothes, plus her flowery cooking apron.  She checks the big slate clock on the wall, it was 11 in the morning already.  It was time for 2 hours of jam making, Grace thinks.

In the kitchen, Grace makes a variety of jams, including plum, strawberry, cherry, raspberry, blackberry and a number of marmelades.  She would sell some, and the rest, she would give to friends or she'd keep to herself!

As the day grows later and later, Grace completes all her daily duties, and by the time twilight had set in she starts to feel lonely.  She wonders how her brother Ted is doing.  Was he in Brazil or maybe Germany? He teaches kids, generally abroad.  Grace misses him terribly.  She wishes he would come home and see her.  Maybe at christmas she'd see him again.

Meanwhile, Ted dismisses his class of 14 year olds in Germany.  He loves teaching, it was a passion for him.  He liked to see youngsters achieve so well each year.  He'd spend half the year in Germany, and when summer time dawned, he'd head to Brazil for all of the summer language programmes.  This left him very little time to see his Sister, Grace.  Grace was 2 years older than Ted, but he'd been the one to fly the nest first.  He walks home to his little Bavarian cottage which he shares with his girlfriend, and enters, kicking off his boots, ready to relax for the evening.  He gets out his laptop, and gets ready to mark some essays.  But instead, he finds himself on a flight finder website.  It was time to see Grace.

Grace heard a knock at the door.  She called out and then ran to answer.  A stoney-faced man waited on the doorstep, clutching a thick letter.  He gravely handed it to Grace.
"Sorry ma'am, bad news." Grace ripped open the envelope with quivering hands.  It read:
"Dear Mrs Blake.  I'm sorry to have to tell you that Ted died suddenly a couple of days ago.  I'm so sorry to have to tell you this in writing.  I'll send you somethings he'd like you to have.  With love, Ted's girlfriend, Anne."

Grace screams and sits upright, she'd obviously fallen asleep on the sofa.  She checks the time, 1 am! She hunts around feebly for the letter, the letter that doesn't exist.  She sighs with relief and collapses back on to the couch, falling into a deep and unddturbed sleep.

Two weeks later, Grace had not heard from Ted since that terrible nightmare she'd had about his death.  She'd phoneed him frequently, both at his address in Germany and in Brazil, to no avail.  She began to feel lonelz, anxious and depressed.  She even wrote him a few letters, again to each address, in the hopes of a response.  It was now Christmas eve.  Grace was carrying out her normal every day jobs.  She had been given little gifts from her friends for Christmas, but now she was sat at home by the log fire.  She pours herself a mold wine and sits on the sofa, feeling sad.

Suddenly, there was a cheerful knocking at the door.  Grace rushed to the door, expecting carrollers or charity collectors.  Instead, ted was standing there with a small suitcase, and a bouquet of flowers.

Grace screams with delight and embraces her brother, who laughs and hands her the bouquet of flowers, then crushes her in a tight hug.
"Hey, sissy! Missed me?"

Grace began to cry tears of joy.  Grabbing her brother's hand, she guided him round the farm, showing him all the animals.  When they were done, they sat by the fire and sampled Grace's homemade mince pies, and some of her jams, until Ted produced a delicious german gingerbread house, which they gladly shared.  After a while, they started sharing memories, laughing, and just like the olden days, the happy siblings began to waltz cheerfully round the  living room, viennese style, while the farm animals made their own chorus out in the snow.  Grace decided this was the best Christmas she'd had in a long time, and Ted thought the exact same.

19 June. Below is a copy of  the video.

https://www.youtube.com/watch?v=0Bm027QFMU0&feature=youtu.be



Monday, 26 June 2017

Responding to a stimulus -story telling


 6 March. Today we were given a new stimulus, a delicate black Victorian parasol. And today, we had to write about it, either a story or a description.   This is below:    Dear diary. I found this parasol in the attic today. In a massive box of nanny's things. Its black as ebony, with a yellowed paper note tied round the handle, the writing almost faded. It read: "To Elsie, with love." I showed it to mum. She said it was one of great-nan Elsie's presents from great-grandad George. And she gave it to nanny when she turned 18, who gave it to mum    when she turned 18. She said I had to wait FOUR years, and Then I'd get it! What I don't get is why nan just left it in that big box of old junk, with bric-a-brac, and a random eclectic variety of things. But this was special. In four years, I'll buy a glass case for  it, and put it up on the wall, somewhere we can see it and think of our ancestry. Maybe I could find some of nan's precious things, and mums, and eventually mine, and fill the case with our familys' special items,  to be kept forever. We can collect things, stuff from our daughters, our daughters' daughters, to become a tradition, continuing in to eternity. And maybe, one day some archaeologist in the year 3000 will dig it up, find out about us, and discover the secrets of over a millenium. We'll be history... Well, our own private family history anyway. All that matters is we'll be remembered by those who matter most, the unborn children of centuries to come, those who'll map out our family tree.

 This week we were given a music stimulus, a piece  by Vaughan Williams called 'The Lark Ascending' that we had to write about. It was only supposed to be notes but in five minutes I wrote this: A bird flies through the sky. Its wings flutter. It is the bird that symbolises life. Sometimes we swoop up high, over mountains, over the sea, in to the clouds of inspiration and joy. We might fly over European lakes, through to Asian mountains, and over the African planes. Sometimes our wings touch the top of the trees, and sample what is there. The fruit of love, seeds of wisdom, the lush green leaves of tranquility. Sometimes a bird  has to spread its wings and fly with confidence. We all take our first wobbly step, in to something new. Friendship, other relationships, a hobby or a goal. Birds get pushed off of cliff faces, by their bigger friends, in hope they'll find confidence. Sometimes we dive  deep in to the water, to find fishes, when we are deep and in despair, looking to find hope. We hide in the reeds looking for new beginnings to spring up. This is life in colour. Good and bad right and wrong, and good and bad times.           

Researching storytelling

Later that day we met with Marsha, the Fosbury care home project leader. Here is the footage of our chat with her.

https://www.youtube.com/watch?v=q9xLojeXn9g&feature=youtu.be]




We discussed what we could do or bring to the home, such as music scents, materials and objects, also performances. However I just wanted to talk and gain insight  on what the home was like.    Later this week, we went to the care home and met lots of interesting people. It was very interesting, as the6e ware a lot of sound effects like murmuring, counting, quiet conversations, and a lot of unidentifiable sounds. I spoke to some people, some lucid while others were aware. Some people were joking and cheerful, some seemed lonely, others were quiet. Some of them just wanted to talk. Cara played some old songs which they responded well to. We did our monologues and they seemed very interested which is a very good moing experience, as they would rarely have access to performances. I am very happy with my first visit and will look forward to more person to person conversations.

8 March. Research: Below are some music and sound stimulases that may be helpful to the people in Forbury, as they may bring back memories for them. There are songs from world war 2 and some sounds that might make their memory jog.

Pack up your troubles: https://www.youtube.com/watch?v=FKXi7zOtqhs&list=PL65C4677E716E1232
Door closing

https://www.youtube.com/watch?v=U54G6obOSQI

Cooking sound effect: https://www.youtube.com/watch?v=vWmUR9WzxvY
Street sound effects: https://www.youtube.com/watch?v=lIfVKpKFgyo

School sound effets: https://www.youtube.com/watch?v=ApYyTBsn2K0 This is long but could bring back childhood memories

Fireplace sounds https://www.youtube.com/watch?v=0fYL_qiDYf0

Breakfast and morning sounds: https://www.youtube.com/watch?v=qj-OkRdgUKw      12 March. On Thursday, I went again to Forbury care home. This time, Marsha was not there, but we met the activities coordinators Tom and Emma. We sat, spaced out amount the residents, and talked with them about their lives. We did prepare a questionnaire, but I wanted to see what I could learn from them without directing the conversation too much. I spoke to Edna, Kay, and Paddy, all who lived fairly locally before coming to Fororbury. I picked up a lot from speaking to them. None of them were very lucid, but I discovered that Edna liked birds, and Paddy "Short for Patricia)used to be a farmer's wife.I also had snapshot conversations that were very short and in detailed with Mary (who used to teach), and Eric (who was from Brazil.) I had to begin thinking about my story. I think that I will take them on a written journey that collaborates everything I've been told using words and sound effects. I did not get individual stories from people, as I could not keep them focussed for long enough, but together I have enough to be able to tell a very interesting story with a combination of facts about them. I am looking forward to creating this, and performing it to them when it is complete.        

Improv evidence


https://www.youtube.com/watch?v=qSjna2Nv5U0

In this improvisation our group had a disagreement. The blame changed to different people and the emotion changed frequently. Our feedback was that we worked together as a team and were able to switch the emotion well.

https://youtu.be/QU2zzd4EXH8

This improvisation involved swapping roles mid way through the piece. In this improvisation I had to carefull examine the role I was playing so that it could be easily replicated by the person that took my role over.

https://www.youtube.com/watch?v=ipFIif2jbgg&t=99s

Again, another role swap where two people started the scene then half way through two other people came in and took over the scene. My aim was to make sure that any one who copied me, could easily mimic my character.

https://www.youtube.com/watch?v=nExZIVpnu_s

In this improvisation we were responding to a one line stimulus.
I thought there was blood on Callum's shirt but it was actually ketchup. However, they made me believe a made up story as I wouldn't listen to them saying it was ketchup. I had to be persuasive but also a little gullible. It was  a successful improvisation because the others were leading me astray.


https://www.youtube.com/watch?v=WqPt0OZHTow&feature=youtu.be

In this improvisation I had a headache and was walking slowly and in pain. Callum was refusing to help. I changed the way I was walking to reflect the mood I was in. When Callum was being lazy and arguing with me I was having to stay in my role and retort.

https://www.youtube.com/watch?v=64GG7uAz0qs&feature=youtu.be

In this improv, we practiced being a third person walking into the scene and changing the dynamics. When Mikey came in and changed the plot line, Emily and I had to respond to this in a believable way. I was able to stay in character, despite the drastic change of pace and emotion.

https://www.youtube.com/watch?v=G2hPp7Gux7s&feature=youtu.be

In this solo improvisation, I explored the space and used mime. I had to express my emotions through muttered speech and clear movement and gesture.

https://www.youtube.com/watch?v=ZOAhyeSht_I&feature=youtu.be

This was a solo improvisation in which I was driving and I shouted at the Sat Nav to shut up. I tried to understand the role of someone who was impatient and someone was late- but it wasn't their fault.  I learned that when you are carrying out a solo improvisation and it's up to you to engage the audience. If you falter, it means you're not in character.

https://www.youtube.com/watch?v=3tPBNHwB-TI

This was a good experience for me as I had to multi - role as none else volunteered to take roles as the improvisation developed. I played a male role and an angry and unpleasant role. I had to dance with Angel and use a deeper voice. Feedback I received was that I was spontaneous and seized opportunities as and when they presented themselves.


https://youtu.be/w0jKHRKyxqc

Callum and I were doing a pairs improvisation. We were really having to listen to each other so that the scene flowed.

choosing appropriate material for performance

11 September. 
Today, I was given an outline for the unit and what I had to do to complete it. The first thing I had to do is think about selecting songs to fit into a programme for a show. For example, a mixture of solos and duets, fast and slow pieces and some group numbers which will include harmony and individual lines. I will also have to carry out some melodic phrase tests as well as carrying out a regular practice routine including singing scales and technical exercises.
This week, we reviewed technical exercises like major and minor scale, arpeggio, and va va va va vee vee vee vee. This reminded us of the ways to warm up, or prepare for a singing performance. This öeek, we just talked in a group about the singing performance, our group songs, and amy further ideas. We didn't get anywhere this week, as there were a lot of mixed conflicting ideas that we hd to discuss. We established that we needed solos, maybe duets and a group piece or two.    18 September. For most of this week, we continued to talk about pieces. We worked out that Groove is in the Heart would make a good group piece. We all liked Madness too, so Baggy TROUSERS was chosen. A popular choice was the 80s track Africa, which I don't really know. I thought about doing feed the birds from Mary Poppins but I'm not sure.   25 September. We have sung through the choruses of Baggy Trousers, while some people struggled, I managed to keep up.  I also had a brief look at the rap in Groove is in the Heart, as we decided I'D do it. I decided to scrap the Mary Poppins idea and do Colours of the Wind from Pocahontas. Emily liked a lady gaga song, Callum liked a Michael Buble song, and we were all happy with the songs. However, some people wanted to do all the songs pre recorded, as in not live. I disagreed, feeling like I öould not feel proud of a pre recorded piece.   2 October. We've given a few of the songs a go. Groove is in the HEart is fun, but hard. People were sceptical about baggy trousers, but I liked it. I am starting to  get used to Africa, as I previousé didn't know it.   13 October. We had a good look at Africa this week, as Cara needed to learn the piano tune for it, aid we needed to look at it. I also sang colours of the wind. My voice is richer and more tuneful than last year. As a second song, I've chosen je veux which is in French. I showed Cara the tune and she is happy with it as a piece for me. We also pre recorded Seasons of love, a song from last year, in the media rooms. Shia was a strange experience for me as I'm not a musician or media student.  We will use this as a musical interlude in a celebration for achievement event in November.    31 October. We began by starting work on melodic phrases. I found one bar phrases easy to repeat, but two bars is harder As there is more to remember. I also managed to work out, during another exercise, which note was coming next and what key ^major or minorä a bar was in. I also identified the number of keys in a note. I am pleased with my work on this, but there is  more to be done.  I did my solo and was told my voice had changed and improved again. We then worked on the noses in my piece, as I don't always take enough breath before a long, very high note. This causes me to frown, and causes headaches. We are going to continue working on this so I can prevent this, and make the note stronger.    3 November  Today I practised my new song, Je Veux, by Zak. It is a FRENCH song, and is very upbeat and lively compared with colours of the wind. I have mislaid my lyrics unfortunately, but I will retape them.     7 November. Today, I practised Je veux properly, at the right speed. I think my first attempt was very successful. I found the right pace, and I can now look at the lyrics properly.The only thing I must do is make sure I don't loose words. As it is a French song, I have to learn how to shorten, or make the words fit in to the tune and the line, like in English we would do gonna instead of going to.    10 November.  Today I spenta lot of time on singing. Cara helped with my rap, for groove is in the heart, all is positive with this but the timings rare hard for some words. Also, my solo in french, Je veux needed some work.  I have got better at not rushing le swallowing words, and the melody and sound of the song has also improved. Also, for one course, there's an almost aca pela moment, and we have adjusted when this will be. Instead of the third chorus, it will be the second, followed by a jolly one to end.  14 September. Today I mainly worked on my songwhich was very productive because we changed the entire pace of je veux to make it jazzy and more French. This would also stop me from swallowing my words and I can work on my diction even in the French language. The key for colours of the wind changed from a c to a b so that I can hit the higher notes in a more tuneful way and it would suit my voice range better.   as it sounds jazzier and I can properly properly speak the French words with a lot of diction. I have tried to sing without a sheetoflyricswhichwas difficult however I have learnt the whole chorus off by heart. In colours of the wind I am still struggling to hit a couple of high notes. We are considering a way of making the notes more approachable and achievable for me.     22 November. Unfortunately for part of the weeek I was ill so I missed Momday's lecture. On Tuesday, I was able to look at my solos again. In colours of the wind we changed the key to a b I think I am making a fair bit of progression this area. We have slowed down the speed of je veux As there isa lot の あの  Colours the wind. I have managed to master the velocity, but one note is difficult for me, and we may adjust the key. However, I have been able to look at

14 November.  This Week i mainly focussed my solo
songs.  I changed the speed and accompany
of my song Je Veux, to make it jazzier and slower.  This meant that I could sing the individual
lyrics more easily, which can be hard in French.  In my other song, Colours of the wind, I
changed the key from C to B.  This helped
as I struggled to meet some of the higher notes.  Also the key fits my vocal range.  I am pleased that I was able to make good
adjustments to my singing to make it easier for myself. Here is a video of me practicing my solo Colours of the Wind

https://youtu.be/2A-8WcC6_Pc
 
 
22 November.  Unfortunately
I missed one of this week's lessons. This was the lesson when the group made the final decision about the songs to be included in the performance. We had 10 songs, 6 will be pre-recorded with a view to creating pop videos to go with them. Four will be sung live and all of the pieces will be live streamed. The focus for the performance will therefore not be to produce a live performance, rather pre-recorded with a live element. I didn't like the idea of pre-recording the pieces, I like the idea of performing on a stage and feeling the adrenaline of singing my best. When we record something, we can do it again but when it's live you only have one chance to do well.

The list of songs for inclusion is as follows:
Africa - group- studio
Groove is in the Heart - group - live
I see the Light -duet - studio Em and Cal
We are Family - group - live
Colours of the Wind- studio my solo
No Floods - studio - Emily
Hallelujah - live Callum solo
Can you Feel it - studio - solo Cal
Je Veux - live my contrasting solo
Own Composition - live - Mikey
This isn't the running order of the show, just a list of how we are going to present the songs.
I did however get the chance to sing through my solos on Tuesday,
without a word sheet.  Although I still
struggle to remember a lot, I am making slow progress.  I am still happy with the adjustments I made
to my solos, and I think this kind of change has helped with my singing skills
as I was able to enhance them by tailoring them to me.

Singing performance

Here is a link to the singing performance. I am very happy with this performance. I was unfortunately feeling rather unwell that daybut I managed to translate very competently in French. I also felt confident that I was loud, clear, and I faced the audience. I also felt that having a floor mic really helped, I could tell where it is, but I could still gesture and move without worrying about the sound travelling. I unfortunately sounded like I was out of breath during the songs, but I was confident with the words, and with my overall performance.  I also took part in the ensemble pieces, with my own line in We are Family. Apart from a tiny tuning issue I felt confident with our group song. Unfortunately we could not live stream the pre recorded performance, but I feel that we still carried out a successful, tuneful, and harmonised performance. I unfortunately sang the wrong line at one point, but I am pleased with it.

https://www.youtube.com/watch?v=pNheDgolR-s&t=326s